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Завирусившееся в соцсетях видео, где девушка ночью сидит в парке на лавочке, открывает шампанское и задувает свечи на торте и вспыхивает огонь, можно легко повторить с помощью Neylora.

Вам не нужно искать промпты, разбираться с настройками или пользоваться Telegram-ботами. Все уже готово — достаточно выполнить несколько простых шагов.

Шаг 1. Сгенерируйте фотографию

Сначала нужно создать изображение, которое затем будет анимировано.

Откройте готовый шаблон:

The essentials

Seedance 2.0 from ByteDance is more than a way to turn a description into a single clip. Think of it as a directing tool: one generation can contain a complete scene, with different camera angles, changes in shot size, and a short edited sequence. The key is to make the shot boundaries clear.

Camera instructions are not decorative keywords. They are a separate layer of direction, and they need a purpose.

Start with a clear structure: subject → action → environment → camera → lighting → style. Use ordinary filmmaking language, such as dolly-in, orbit, whip pan, and rack focus. If you want several shots, explicitly describe where one ends and the next begins. Bracketed commands, supposedly magic durations, and rigid lists of camera keywords are not a substitute for that structure.

If you remember only three things, make them these:

1. Build the prompt around the scene. Describe the subject, action, and environment first; place camera direction after them and the overall style at the end.
2. Mark your shots. Use time ranges or numbered shots with explicit transitions such as “Hard cut to.” Without clear boundaries, separate descriptions can merge into one continuous take.
3. Make movement specific. Describe direction, speed, and the starting and ending composition. Prefer the visible result to a string of exposure settings.

The following templates and examples show how to turn those principles into a deliberately staged sequence rather than a loosely assembled AI clip.

1. The anatomy of a Seedance 2.0 prompt

Video adds a second layer to an image prompt: movement, both of the subject and the camera. A multi-shot sequence adds a third: editing, or how the view changes over time. That makes the order and clarity of your instructions especially important.

A useful single-shot template:

[Subject + action + scene]. [Camera movement]. [Lighting]. [Style]. Avoid: [...].

Be cautious with rules such as “subject and motion are all you need” or “the first 20–30 words carry the most weight.” The research behind the original guide did not substantiate these claims. Describe the important layers of the shot instead of relying on a word-count trick.

2. Multiple camera angles in a single generation

One reason to learn Seedance's prompting approach is the ability to request a sequence rather than a single view: wide shot → medium shot → close-up → pull-back. The approaches below suit different kinds of transitions and can be combined.

Method A: time ranges for a planned sequence

Divide the clip into segments and give each segment its own shot size and one main camera movement:

0-3s   — Wide establishing shot, slow dolly-in
3-6s   — Medium tracking shot from the side
6-10s  — Close-up, slow push-in
10-15s — Over-the-shoulder, static

Explicit ranges such as 0–3s make the intended timing easier to read. Treat them as direction for the sequence, not a promise of frame-accurate editing. Keep each segment focused rather than packing two competing camera moves into it.

Method B: numbered shots and explicit hard cuts

For a punchier sequence with clear cuts, number the shots and name the transition:

Shot 1 — Wide establishing: the car on the road. Camera: crane up, slow reveal.
Hard cut to Shot 2 — Low-angle tracking: wheels and asphalt. Camera: tracking from the side.
Hard cut to Shot 3 — Close-up: driver's hand on the gear stick. Camera: slow push-in.

A common multi-shot mistake is leaving the cuts implicit. Separate paragraphs alone can be interpreted as one continuous take. If you need distinct shots, use “Shot 1 / Shot 2 / Shot 3” and explicitly ask for “Hard cut to.”

Method C: chaining with “then” for softer transitions

For a more fluid progression within the scene:

Tracking shot from the side, then whip pan to a wide establishing shot,
then an orbit shot around the subject.

This describes a softer progression than a series of hard cuts. For clearer organization, combine “then” with numbered shots.

Keep the sequence manageable: the original guide recommends roughly 4–5 angles within a clip of up to about 15 seconds as a practical planning guideline. More shots can be skipped, compressed, or become less consistent. A few well-executed views are more useful than seven rushed ones.

3. Camera language for clearer direction

You do not need special symbols to describe filmmaking choices. Use natural English and recognizable cinematic terms, then explain what the movement should do in the scene.

Camera movement and focus:

• Slow dolly-in / dolly-out: move toward or away from the subject.
• Push-in / pull-back reveal: move closer to emphasize a detail, or pull away to reveal the wider scene.
• Tracking shot: follow the subject.
• Orbit shot: move around the subject.
• Crane up: rise to reveal the scene from a higher viewpoint.
• Low-angle tilt up: tilt upward from a low camera position.
• Handheld: introduce the feel of a handheld camera.
• Steadicam: describe smooth, stabilized movement.
• Whip pan: a fast pan to a new view.
• Hitchcock / dolly zoom: the familiar vertigo-style perspective effect.
• Rack focus: shift focus between subjects or planes.

Viewpoints and angles:

First-person POV; bird's-eye or overhead; low angle for a sense of power; high angle for vulnerability; Dutch angle for tension; over-the-shoulder (OTS); macro shot.

Framing and editing:

Frame-within-frame; ultra-wide angle; match cut based on a shared shape or movement.

Specific movement is more useful than technical numbers. Describe direction, speed, and the starting and ending view: not just “dolly-in,” but “slow dolly-in from a low angle, ending on his face.” For the look of the image, describe results such as “shallow depth of field” and “soft bokeh” rather than relying on f/2.8, ISO 800, 24fps, or 85mm to produce an exact result.

4. Keeping the character consistent across shots

A recurring difficulty in multi-shot generation is character drift: the person, clothing, or setting changes from one view to the next. Start with a direct consistency instruction, even when you have no reference files:

Maintain the same character, wardrobe and location across all shots.

When using reference files, name them in the prompt and assign each one a role:

• Use labels such as @Image1, @Image2, @Video1, and @Audio1, following the order in which the files are attached.
• Define their roles: @Image1 for the front view, @Image2 for the profile, and @Video1 for movement only. If appropriate, add “do not copy the original appearance.”
• Tie individual details to the right source: “keeping the face from @Image1 and the tuxedo from @Image2.”
• The original guide lists up to 12 attached files in total, with per-type ceilings of up to 9 images, 3 videos, and 3 audio files. These are not additive: the combined total still matters. Check the current generator's limits when attaching references.

Named references and explicit roles give you a concrete way to communicate which details should carry across shots.

Do not build a workflow around unsupported figures such as “reference strength 70–80%,” “a maximum of two references,” or “reducing six images to two cuts drift by 60%.” Those claims were not substantiated in the research behind the original guide. Focus on reference roles and clear visual descriptions instead.

5. Reference image or first frame? Choose the role first

An attached image can be a strong visual anchor, but a reference image and an opening frame are not the same instruction.

Mode 1: reference image — preserve identity or style across views

Use a reference to define the character's identity, such as face, hairstyle, and clothing, or to establish the style and location you want to retain.

Reference @Image1 = the character's face and outfit.
A medium shot of them walking into a marble lobby, keeping the face and outfit from @Image1.
Hard cut to a close-up (@Image1 for likeness). ...
Maintain identical facial features and wardrobe across all shots.

The distinction is important: the reference anchors identity and style, not necessarily the composition of every shot. You can request new views around those shared details.

Mode 2: first frame — animate the image into a video

In image-to-video mode, the image is the actual opening frame. Your prompt describes how the scene begins to move from that starting point.

Starting from the given frame: [subject, scene, lighting and mood visible in the image].
[Subject] begins to [action]. Camera: [move, direction, speed].
Keep the same lighting, wardrobe and composition as the opening frame.

Do not contradict the opening image. Keep the initial time of day, wardrobe, and composition consistent with what is already there. Concentrate on what starts moving and how the camera responds, rather than describing a different starting shot.

For either approach, read the image carefully:

• Subject: appearance, clothing, and expression.
• Environment: location, props, and background.
• Lighting: source, direction, and warm or cool character.
• Style: palette, grade, and a film-like or clean digital look.

Use visible details rather than broad adjectives. Do not add information that is not present in the image.

One useful workflow is to build the opening image in Nano Banana, getting the face, lighting, and composition where you want them, then use that image as the first frame in Seedance. This lets you plan appearance before introducing movement.

6. Practical limits to keep in mind

• Number of angles: plan for roughly 4–5. With more, individual shots may be compressed or left out.
• Character drift: consistency becomes harder to maintain over a longer sequence. For longer stories, split the work into separate generations and reuse a common character reference.
• Multi-shot structure: if the shots and cuts are not explicit, the sequence can collapse into one continuous view.
• Duration: the original guide uses up to approximately 15 seconds per generation as its planning range. Do not infer a guaranteed list of selectable durations from a prompt example; use the controls currently available in the generator.
• Prompt length: keep each block compact and specific. More text does not automatically mean better adherence, and overly long instructions can be truncated.

7. Prompting myths to avoid

The original guide's source review challenged several frequently repeated rules. Treat the following as unsubstantiated shortcuts, not a reliable command language.

If a client brief or tutorial asks for one of these shortcuts, explain the uncertainty and suggest a clearer, shot-based alternative.

8. A pre-generation checklist

• Does the prompt follow Subject → Action → Environment → Camera → Lighting → Style, with camera direction after the scene?
• Are multiple angles marked with time ranges or numbered shots and explicit cuts, rather than separate paragraphs alone?
• Does each segment have one main camera movement, with direction, speed, and a starting and ending view?
• Is the sequence manageable: around 4–5 shots within the available clip duration?
• Is there an explicit consistency instruction? If you use references, are their labels and roles clear?
• Have you decided whether the image is a reference or the first frame? If it is the first frame, does the prompt respect it?
• Is the shared style instruction at the end?
• Are you describing the visible result, rather than relying on exposure jargon?
• Have you included an Avoid: line for unwanted text, watermarks, or obvious anatomy artifacts?
• Have you removed unsupported bracketed commands, magic duration values, and reference-strength percentages?

9. Workflows for common creative briefs

A. Brief to prompt. Identify the subject, action, location, mood, format—narrative, advertising, music video, or art—and whether you need multiple angles. Build the prompt using the scene structure above, then add time ranges or numbered shots if the view needs to change.

B. Reference image to prompt. Read the appearance, wardrobe, location, and palette from the image. Refer to @Image1, connect the relevant details in words, and design new views around them without forcing every shot to copy the reference composition.

C. First frame to prompt. Describe what is actually in the frame, then focus on the movement and camera behavior that develop from it.

D. Product scene. A useful four-shot progression is ultra-wide establishing shot → macro texture detail → close-up of a detail or logo → pull-back reveal. Match the grade and pacing to the brand.

For a story longer than about 15 seconds or more than five shots, do not try to squeeze everything into one generation. Split it into scenes, generate them separately, and keep a shared character reference for a more controlled result.

Telegram под блокировкой, Instagram — только через VPN, ВКонтакте несерьёзно, а свой сайт никто не находит. Разбираем, почему привычные площадки больше не работают для AI-художников, и где собрать портфолио так, чтобы его увидели заказчики.

AI-креатура перестала быть нишевым хобби. Нейросети генерируют рекламные обложки, концепты для кино, фэшн-съёмки и короткие ролики — и за всем этим стоят живые авторы, у которых есть стиль, насмотренность и поток заказов. Но как только встаёт вопрос «а где показать свои работы», начинается боль. Давайте честно пройдёмся по всем вариантам.

Привычные площадки и почему они подводят

Telegram — заблокирован, и это не лечится

Канал в Telegram долго был стандартом де-факто: красивая лента, удобно делиться ссылкой, аудитория под рукой. Но сегодня площадка работает нестабильно: перебои, блокировки, замедление. Вы не можете строить профессиональное портфолио на инструменте, который в любой момент может стать недоступен — ни для вас, ни для заказчика, который захочет вас найти. Ссылку на «канал в тг» всё чаще просто некуда отправить.

ВКонтакте — несолидно для портфолио

ВК технически доступен и стабилен, но как витрина для AI-художника он проигрывает. Лента перемешана с мемами и репостами, инструментов для аккуратной галереи нет, а сам контекст площадки не считывается как «профессиональное портфолио». Отправить заказчику ссылку на личную страницу ВК — всё равно что прийти на собеседование в домашних тапочках. Площадка не про креативную индустрию.

Instagram — заложник VPN

Визуально Instagram идеален для картинок, и многие до сих пор там сидят. Но в России он работает только через VPN. Это значит:

• ваши работы видит лишь тот, кто тоже сидит под VPN;
• скорость загрузки и стабильность непредсказуемы;
• алгоритмы давно «не показывают» контент из региона;
• заказчик не станет включать VPN, чтобы посмотреть ваш профиль.

Портфолио, до которого нужно «доезжать» окольными путями, теряет половину аудитории ещё на входе.

Свой сайт — дорого, сложно и без трафика

Кажется, что собственный сайт решает всё: домен, дизайн, полный контроль. На практике это отдельный проект:

• нужно сверстать или заказать сайт (деньги и время);
• настроить хостинг, домен, оплату, SSL;
• и главное — на новый сайт никто не приходит сам.

Вы получаете красивую витрину в чистом поле. Чтобы на неё пошёл трафик, нужны SEO, реклама и месяцы работы. Для большинства авторов это неподъёмно — портфолио должно показывать работы, а не превращаться в стартап по веб-разработке.

Сравнение площадок

Мы выпустили собственное приложение, в котором AI-генерация и полноценный видеомонтаж объединены в одном месте.

В Neylora Studio можно:

— генерировать видео и изображения с помощью AI;

— добавлять материалы на таймлайн и собирать ролики;

— обрезать и компоновать фрагменты;

— работать со звуком;

— настраивать цветокоррекцию;

— применять эффекты и маски;

— создавать анимации с помощью ключевых кадров;

— сохранять проекты и экспортировать готовые видео.

Больше не нужно постоянно переключаться между генераторами и монтажными программами: создавайте контент и сразу превращайте его в готовый ролик внутри одного приложения.

Neylora Studio уже доступна бесплатно для Windows и macOS.

В рейтинге Image-to-Video Arena новая версия модели вышла на первое место, обогнав Seedance 2.0 и HappyHorse. По сравнению с предыдущим поколением её результат вырос на 52 пункта Elo.

Модель поддерживает несколько сценариев генерации: можно использовать только текстовый промпт, загрузить изображение или объединить оба источника одновременно. В результате пользователь получает готовый короткий видеоролик, созданный на основе заданных данных.